Home‎ > ‎

Biography


One of the earliest memories I have is that of an older, earth-colored man in a plaid polyester suit who came up to me and my mother, wanting a cigarette.  I was about five years old and it was cold and grey from ground to sky.  My mother,  bright against the dim morning in her red, green and yellow wool poncho, was taking out her keys to open the car door when the man approached and asked for a smoke. He gestured with his hand to make sure she understood, lifting two fingers to his mouth and touching his lips.  No, my mom said.  No smokes.  I was amazed that she could talk to him at all, she wasn't afraid, her voice sounded rough--no, no smokes--and I knew I was safe with her. 

The man didn't hang around or ask for money.  He left us at the curb and walked across the street, the dull blue of his suit blending him  with the day's palette, camouflage in a city whose winters were usually the color of dirt.  I asked my mom about him.  She said he was probably homeless and didn't have any way to buy the things he needed.  I wondered why we couldn't have helped him.  My mom said that we couldn't even afford to buy the things we needed and we had nothing to give.  Then we got in the car and headed home. I watched the street go by through the rusty holes under my feet.

Stories like these have always guided me when considering where to focus my professional energies. In 2007, I hung my shingle at the Poverello Center, a homeless shelter and soup kitchen, as the executive director.  It was a difficult job, but these days, when asked about my experience, I recall the end of a work day, two feet of snow and my car, hopelessly stuck in its parking place. After fifteen minutes of first and reverse, I walked back to the shelter and told my assistant what had happened. Before I could call for a tow, she walked into the dining room and recruited a couple of clients to give me a hand.  The men left their suppers without hesitating and followed me into the snow. And, because of them, I remember to smile and say hello to the guy sitting on the sidewalk, to the girl on the footbridge with the skinny dog, to the man outside the Ox looking to scrape up enough change for brains 'n eggs. Whenever we exchange glances, or even salutations, I remember the man in the plaid suit, hands in his pants pockets, chin tucked down and shoulders hunched to keep the winter out of his clothes.







I remember going to the Kyi-Yo pow wow 25 years ago with one of my best friends. We didn't take cameras or money for treats. We just sat in the bleachers, eyes brimming as the drumbeats swelled and the singers gave up their voices to the dancers' sway, their swing, their tapping feet.
    I remember the colors: sky blue, electric green, hot pink. I remember the soft deerskin dresses decorated with beads and bells. I remember that even little children danced, two and three years old, and very old people, too. A teenage boy wore a tee-shirt: my heroes have always killed cowboys.
    Women had their own dances and men, as well. It was always the fancy dancing I waited for, air taught as strings as the dancers spun, as they kicked.
    I am romanced by pow wows and I imagine the dance, how my feet would feel in leather moccasins, pounding gym floors all across the state.
    A white man danced with them; a white woman, whom they laughed at, danced as well. She wore jeans, a suede vest, a hat and she danced the edge of the circle with her arms wide and eyes closed. I was embarrassed for her. It was obvious she didn't belong but it was obvious she didn't feel that way. She danced.
    After the pow wow, my friend and I drove up a dirt road to the locked gates of the hydroelectric plant. It was in the woods, set in a field, with a group of three of four small trees planted in a small circle in front of the forbidden gate. We parked the car and without verbal agreement, my friend and I, we danced. We sang.
   It was a clear spring night and stars were like gravel against a tar-black road. The creek rushed over the dam. The wind through the pine needles spoke of ghosts.
    And we sang. We danced, two white girls alone in the woods, wishing we belonged to something great, but fearing the notion, vowed to tell no one of what we'd done.


I want to remember this moment with my mother, but I don't.  I can only imagine how it felt to have her strong arm hold me above the wheel. I imagine the smell and feel of the clay, the way my mom had to kick the wheel to keep it going.  When I think about the pottery I might have made when I was what, three or four, I imagine it was perfect.  I threw perfect pots.  I was a prodigy and my mom stared at my small hands in amazement, knowing that I was the only child who could do such things, and I was hers.